!8: Frye Daisy Duke Review

Monday, April 2, 2012

REVO SUPER STYLER ROTATING HAIR BRUSH

Brand : WELLQUEST
Post Date : Apr 02, 2012 14:00:56

REVO SUPER STYLER ROTATING HAIR BRUSH

INCLUDES: REVO SUPER STYLER WAND, LARGE BRUSH HEAD, CHARGING CRADLE, SECTIONING CLIP, COMB, INSTRUCTION MANUAL & VIDEO in pal format.
The amazing rotating hair brush that quickly styles, helps smooth and shine any type of hair without tangling. From tragic to magic in minutes.
The SuperStyler is so fast and easy to use, that in just a few seconds your hair is instantly polished and beautifully shiny.
SuperStyler can give you the look you want, without damaging or burning your hair - you will have healthier, more manageable hair.
Whether you want polish and shine, sleek and straight, a fun flip, bouncy curls or added height, with the SuperStyler, you really can transform your entire look instantly. From a bob to a flip, straight to curly, fun to formal - you can try dozens of different hairstyles in just minutes in front of the mirror.

Do your hair in a masterly manner with Super Styler! Super Styler guarantees the perfect hair style in no time at all.It styles and straightens even the most difficult hair in less than half the time.And with its patented Anti-Tangling System, the Super Styler won`t tangle the hair.The key to the Super Styler is the rotating action of the brush head, whose bristles are a combination of nylon and pure boar hair bristles.Super Styler is perfect for every type of hair and for every member of the family.Give your hair shine and texture, volume and shape with Super Styler.THE BLACK SUPER STYLER IS THE SAME EXACT ITEM AS THE REVO STYLER WITH THE SAME EXACT PARTS FROM THE SAME EXACT MOLDS AND THE SAME EXACT MANUFACTURERS. ONLY IT IS IN THE COLOR BLACK AND LABELED AS THE SUPER STYLER.AND IT LOOKS GREAT IN BLACK.

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Saturday, March 31, 2012

Complete Beethoven Edition

Brand :
Post Date : Mar 31, 2012 07:00:08

Complete Beethoven Edition

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Weber Grill Replacement Parts Sale Off Digital Canon Rebel Xti Guide

Wednesday, February 22, 2012

Leonard Bernstein - Young People's Concerts / New York Philharmonic

!#8#Leonard Bernstein - Young People's Concerts / New York Philharmonic

Brand : BERNSTEIN,LEONARD
Rate :

Price : $96.99
Post Date : Feb 22, 2012 06:00:16
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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.

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